Theatre Review: Head Over Heels-The Go-Go's Musical

By Cindi Sansone-Braff

The Gateway’s Long Island Premiere of Head Over Heels is a “Beautiful” Way to Celebrate Pride Month

Head Over Heels – The Go-Go’s Musical, running now through June 26, is The Gateway Playhouse’s first show of their new year-round season. This bawdy Elizabethan-era farce, complete with plenty of anachronistic jokes, follows the escapades of a royal family and their subjects as they explore gender fluidity, sexual awakening, the real meaning of beauty, and ultimately– acceptance.   Me thinketh the theme that “only loves matters” and “love is love” are befitting messages for any musical! Add the additional themes of “live your truth” and “find your true identity,” and you have the stuff of a hit show that leaves you feeling like there is hope for humanity after all.  

Head Over Heels – The Go-Go’s MusicalThis 2018 Broadway jukebox musical utilizes the music and lyrics from the catalog of the iconic 1980’s all-female rock band, “The Go-Gos.” The inspiration for this musical came from Sir Philip Sidney’s Renaissance pastoral romance “Arcadia.” Jeff Whitty conceived the show and wrote the original book, which James Magruder later adapted.

Belinda Carlisle’s “Heaven is a Place on Earth” and “Mad About You” are two songs also featured in this musical, and they were my favorite numbers in the show. “Heaven is a Place on Earth” had a sensual, steamy, shadow love scene that was breathtaking to behold. The energetic reprise of “Mad About You,” featuring the entire company, was a showstopper.

The musical opens with the entire company giving a rousing performance of the mega-hit “We Got the Beat,” which lets the audience know they are in a for a merry musical treat. 

As for vocalists, this show is chockful of major talents. Gina Ward as Mopsa, the Viceroy’s strong-willed daughter, and Renee Marie Titus as Pamela, the vain, oldest princess daughter, gave standout performances when they belted out the hit song “Turn to You.” Ms. Titus also rocked the song “Beautiful,” displaying her comedic acting skills as well during this number.  

Tyson Jennette as Basilius, the pompous King of Arcadia, and Jennifer Byrne, the bored, sometimes dutiful, sometimes sexually adventurous Queen Gynecia, gave memorable performances during the duet “This Old Feeling.” Ms. Byrne is a comedic genius, and with just a mere facial expression or wave of her hand, she had the audience roaring with laughter. She surprised the audience when she gracefully slid into a split, letting us know she could dance up a storm!

Molly Rushing as Philoclea, the younger princess daughter, smitten with a low-stationed shepherd boy, had an angelic voice and graceful demeanor reminiscent of a reserved Disney princess. Her moving rendition of “Here You Are,” where she opens her heart to her would-be lover, was one of the show’s highlights.

Josh Canfield portrays Musidorus, a shepherd who dresses in drag to win the hand of Philoclea.  Mr. Canfield displayed his comedic skills during a hilarious scene where he alternates between being the object of the queen’s desire, flexing his muscles to reveal his masculine side, and wiggling his hips sensuously, displaying his goddess energy, enticing the king. Mr. Canfield also delivered a knockout performance during “Mad About You,” joined by the Male Ensemble, who aced this number.

Turner Riley as Pythio, the Oracle of Delphi, an ethereal, non-binary soothsayer, who delivers four dire prophecies to King Basilius, wore some of the most breathtaking costumes in the show. Pythio, who likes to be referred to by the pronouns they/them, gave a riveting performance, accompanied by the sensuous Snakelets, to the song “Vision of Nowness.” 

Some of the campiest moments in the play came from Steve Brady as Dametas, the King’s Viceroy. He has a strong singing voice, and his acting ability was equally impressive.

Special mention goes out to Grace Benedetto, Delaney Gruber, Ashton Hololob, and Jaye Pegg, the glorious offstage voices that added harmony and depth to many songs.

This modern-day fairytale, complete with a “Happily Ever After” ending, was directed and choreographed with finesse and exacting precision by veteran director Keith Andrews with collaboration from Vincent Ortega and music direction by Andrew Haile Austin. 

The ultra-talented ensemble members included Lincoln Belford, Shannon Conboy, Jesse Jones, Maya Kazzaz, Ashley Klinger, Gracie Phillips, Vincent Ortega, and Jordan Vasquez. This versatile group of performers displayed a kaleidoscope of kinesthetic wonders throughout the show, from sky-high kicks to flips and cartwheels and even scooting by on a unicycle. Their nonstop energy and enthusiasm were the glue that held this rambunctious musical together.

The Gateway’s production of Head Over Heels features the original Broadway scenic design by Julian Crouch and original Broadway costumes designed by Arianne Phillips, adding another level of professionalism to this polished to perfection show. Throw in a live orchestra, lively choreography, powerhouse vocals, fun pop-up sets, and a triumphant finale, and Gateway has got themselves a must-see musical.

Tickets are on sale now for the full season and can be purchased as a curated or flexible subscription – giving you the best value on ticket prices and many other great benefits – or as single tickets (starting at $59). Teen and youth prices are available for select shows. For more information, contact the Box Office at (631) 286-1133, or visit the website at TheGateway.org.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guild and the Long Island Authors Group. She is the author of Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic. www.Grantmeahigherlove.com.

Theatre Review: Kinky Boots

By Cindi Sansone-Braff

Kick off the Summer Season with Engeman’s Sizzling Production of Kinky Boots

The John W. Engeman Theater’s sizzling production of Kinky Boots held the audience spellbound from the moment the cast stepped on stage to the phenomenal finale. This high-energy, high-spirited, high-heeled extravaganza runs through July 3.   

Front: Omari Collins (Lola); Back:Jaye Jackson (Angel), Kevin Scott (Angel), Kodiak Thompson (Angel), Kyle Fleig (Angel)In 2013, Kinky Boots, the Broadway musical, won every major award, including the Tony® Award for Best Musical! The source material for this show came from Tim Firth and Geoff Deane’s 2005 British movie which was inspired by true-life events. The fabulous pop, new wave, funk, and tango songs are by the unforgettable 80s icon Cyndi Lauper, and the book is by the beloved Broadway legend Harvey Fierstein.

This big-hearted musical revolves around Charlie Price, a man who reluctantly inherits a shoe factory from his father. To save the business from bankruptcy, he partners with Lola, a drag queen, to create a line of sexy, over-the-top, high-heeled boots.

Front: Omari Collins (Lola), Zach Hess (Charlie Price), Edward Juvier (George); Back: Demetrio Alomar (Don), Suzanne Mason (Trish), Kristen Antoinette Kane (Pat), Lily Kaufmann (Lauren)Kyle Dixon has created a fun-to-watch, flexible, multi-level set design with slides, steps, and plenty of moving parts that allow the cast to strut their stuff in style. The glamorous costumes, wigs, and outlandish boots were stars themselves; therefore, Kurt Alger deserves a standing ovation for designing them. Natalie Malotke’s outstanding choreography gave this show an intense physical dynamism that sustained itself throughout the production.

Omari Collins ultimately powers the show as Lola, the cabaret performer and drag queen. Mr. Collins is a triple threat with his tremendous acting, dancing, and singing skills. He showcased his powerhouse vocals during the sassy “Sex Is in the Heels” number. Joined by his entourage of drag queen dancers, known as Angels, this scene was a real showstopper. Just walking on six-inch stilettos can be an athletic event, but the way Lola and the Angels danced in them, well, seeing that was worth the ticket price alone. Mr. Collins, wearing a dazzling white gown, gave a heartrending performance of the sublime and deeply moving song “I’m Not My Father’s Son.” He was then joined by Zach Hess as Charlie Price, who further knocked this moving ballad out of the ballpark. This revelatory moment helped cement their business relationship when they both realized that they were struggling with the same issue: how to assert their true identities despite their fathers’ expectations.

Front: Edward Juvier (George), Back: Ensemble and AngelsZach Hess shines in the role of Charlie Price, the straight-laced factory owner who doesn’t necessarily want to follow in the footsteps of his father. Mr. Price was portrayed with all the power of a true patriarch by the very talented David McDonald. Mr. Hess’s voice was perfect as he belted out the pop-infused tune “The Soul of a Man.” Mr. Hess’s Charlie. had palpable onstage chemistry with Lily Kaufmann as Lauren, a factory worker who had a wicked crush on him. Ms. Kaufmann received some of the biggest laughs of the evening with her hilarious rendition of “The History of Wrong Guys,” a song so many women can relate to! Sofie Flores, as Nicola, Charlie’s fiancé, was compelling as an ambitious woman who knows what she wants but doesn’t always get it. During the London Pub scene, Charlie Fusari as Harry and Mr. Hess as Charlie gave riveting performances in the duet “Take What You Got” 

Full CompanyDemetrio Alomar gave a memorable performance as Don, the macho, arrogant factory worker who starts out as Lola’s nemesis. However, when he steps out in a pair of high-heeled boots during the finale, we know Lola’s good nature has won him over, and he has come to learn an important lesson in humility and acceptance.

Edward Juvier displayed his comedic abilities every time he stepped on the stage as George, the reserved factory manager, who lets it all hang out under the free-spirited influence of Lola. 

The amazing Sextet of drag artists, Damien DeShaun Smith, Elijah Dillehay, Kyle Fleig, Jaye Jackson, Kevin Scott, and Kodiak Thompson, dazzled the audience with their exotic costumes and athletic dance moves, including some impressive cartwheels and splits.

The multi-talented, high-energy ensemble added greatly to the overall success of this show. Kudos to Gary Paul Bowman, Caroline Huerta, Kaisha Huguley, Kristen Kane, TJ Kubler, Suzanne Mason, and Caitlin Lester-Sams. They gave knockout performances during the rousing ensemble number “Everybody Say Yeah.”

Front: Demetrio Alomar (Don); Back: David McDonald (Mr. Price/Ensemble), Suzanne Mason (Trish), Charlie Fusari (Harry), Edward Juvier (George)Expertly directed by Igor Goldin, this production has one of the most electrifying finales you will ever see. The Full Company, donned in breathtaking costumes, sang, and danced their hearts out. It’s no wonder the audience gave this sensational show an enthusiastic standing ovation.

Kinky Boots is filled with glitz, glamor, heart, soul, and an abundance of humor that will leave you feeling uplifted, energized, and filled with the joy of life. Oh, you might want to try the six-step Kinky Boots philosophy of success: 1) Pursue the truth. 2) Learn something new. 3)Accept yourself, and you’ll accept others. 4) Let love shine. 5) Let pride be your guide. 6) You can change the world when you change your mind.  

For a complete show schedule and more information, contact the theater directly at 631-261-2900, visit the box office at 250 Main Street, Northport, or visit www.engemantheater.com. 

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guild and the Long Island Authors Group. She is the author of Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic. www.Grantmeahigherlove.com.

Theatre Review 'A Bronx Tale'

Engeman Theater’s A Bronx Tale: The Musical Earns a Rousing Standing Ovation Opening Night

By Cindi Sansone-Braff 

This review is dedicated to the loving memory of Jeb Ladouceur, my predecessor. A great writer, drama critic, and friend who I can only hope to emulate. 

Chazz Palminteri and the cast of A BRONX TALE THE MUSICALA few years back, I was blessed to see Chazz Palminteri perform his semi-autobiographical one-man show, A Bronx Tale, at the Patchogue Theater. Written in 1989, this play was based on a brutal killing Mr. Palminteri witnessed on Belmont Avenue in the Bronx when he was nine years old. The original one-man show, where Mr. Palminteri portrayed 18 different characters, inspired the acclaimed movie of the same name, and A Bronx Tale: The Musical.

Robert De Niro and Jerry Zaks co-directed the 2016 Broadway musical production, with a book by Chazz Palminteri. Two beloved Disney veterans, Alan Menken and Glenn Slater, were recruited as the composer-lyrist team for this show. Menkin’s score, a mix of up-tempo Motown, rhythm-and-blues, doo-wop songs, and ballads, was period appropriate for the show, and Slater’s well-crafted lyrics helped advance the plot.

When I first entered the theater, I was blown away by Kyle Dixon’s stunning urban set depicting rows of apartment buildings lining Belmont Avenue with their front stoops, fire escapes, and the requisite neighborhood favorite go-to place: the corner bar.

Chazz Palminteri, the cast and creative team of A BRONX TALE THE MUSICALThe musical opens in a 1960s Italian-American enclave in the Bronx, where a young, impressionable man must decide what kind of a person he truly wants to be for the rest of his life. Should he aspire to be a good, hardworking man like his father, who had little to show for all his labors, or become like Sonny, the smooth-talking, wealthy, powerful crime boss, who was treated like a god?

This show tackles some heavy themes such as respect, conflicted loyalties, integrity, love, family, gang violence, mob crime, segregation, and racial strife. 

Kudos to Paul Stancato, the very talented director and choreographer of this slick and skillfully assembled production. The dance numbers were athletic, high-energy ones, and executed with expert precision by the talented dancers. 

Mike Cefalo shines as Calogero, a likable Italian-American teenager who is the musical’s central character and the show’s narrator. Mr. Cefalo displayed his versatile acting skills and strong vocals throughout the show. 

A few blocks away from Belmont Avenue is Webster Avenue, an African-American neighborhood where Jane, Calogero’s love interest, lives. Having an interracial relationship back in 1968 was a considerable obstacle for a young couple to overcome; therefore, a great source of angst for Jane and Calogero. This star-crossed lovers’ plotline added another layer of drama to the story. Mackenzie Meadows was sheer perfection as Jane, and she and Mr. Cefalo showcased their powerhouse vocals when they belted out “In a World Like This.”

Michael Deaner, a gifted child actor and spectacular singer, brings a streetwise edge and infectious energy to his role as the Young Calogero. His noteworthy rendition of “I Like It,” joined by the DooWop Group and the Ensemble, was a real showstopper! He revealed his spot-on comedic skills during the hilarious song “Roll ‘em,” where the precocious nine-year-old learns to shoot craps.   

Charlie Marcus was convincing as Lorenzo, Calogero’s hardworking, loving father. He delivered a genuinely heartrending performance when he gave his young son some sound paternal advice during the song, “Look to Your Heart.” 

As Rosina, Lorenzo’s loving wife, and Calogero’s devoted mother, Shaina Vencel gave a knockout performance when she sang the maternal reprise of “Look to Your Heart” to her teenage son.

Sonny, the charismatic, feared, and revered mobster, was brilliantly played by Mike Keller. Mr. Keller commanded the stage with every gesture, move, and word he uttered. Mr. Keller knew how to make the audience fall in love with Sonny one moment and despise him the next. Although he could be tough as nails with his crew, Sonny had a soft spot for Calogero, and the interactions between him and the Young Calogero were some of my favorite scenes. His heartfelt rendition of “One of the Great Ones” was riveting, and his masterful delivery of “Nicky Machiavelli” was memorable. 

Sonny’s crew provided much-needed comedic relief throughout the show. All the Wise Guys were polished professionals, including Mike Backes as Rudy the Voice, Michael Barra as JoJo the Whale, Martin Bonventre as Frankie Coffeecake, Christopher DeProphetis as Tony Ten to Two, Yasir Muhammad as Tyrone, and Jesse Sharp as Eddie the Mush.

The first-rate ensemble includes Cate Benioff, Michael Deaner, Tyler Dema, Steven Gagliano, Bryson Jackson, Jasmine Lawrence, Nia Nelson-Williams, Gracie Phillip, Frankie Rocco, Emily Ann Stys, and John Zamborsky.

At the end of this electrifying production, the audience jumped to its feet to give a thunderous standing ovation. A moment later, they screamed ecstatically when Chazz Palminteri made a surprise appearance, enthusiastically saying, “It is really amazing what this theater did here with the space they have, with the set; it’s just outstanding. I am amazed by it, and my hat goes off to all of you – the incredible cast and all the people here at this incredible theater.” Then Mr. Palminteri thanked his deceased parents, Lorenzo and Rosina, and Sonny, for teaching him that the worst crime is wasted talent. 

A Bronx Tale: The Musical runs now through May 8. Tickets may be purchased by calling 631-261-2900, going online at www.engemantheater.com, or visiting the Engeman Theater Box Office at 250 Main Street, Northport. 

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guilds. She is the author of Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic. www.Grantmeahigherlove.com.

Theatre Review: Theatre Three's 23rd Annual Festival Of One-Acts

Go See Theatre Three’s 23^rd Annual Festival of One-Acts

As a playwright and theatre critic, I’m always thrilled to see new works staged. After a two-year hiatus due to the pandemic, Theatre Three’s Festival of One-Act Plays has triumphantly returned, much to the delight of its audiences. This year’s festival features six exciting world premieres that are diverse, running the gamut from absurdist comedy to the darkest of dramas.

Short, one-act plays allow a theatre to explore a wide array of topics, some of which would not be able to sustain the longer demands of a full-length play. Still, other issues might be too controversial for theatrical venues to produce on their main stage. Short plays also allow the audience to be transported from one world into a completely different world in a blink of an eye. Most importantly, these short plays give audiences a chance to see new works by some of the most promising playwrights in the world.

Theatre Three CONFESSIONS OF A SUCCESSFUL PLAYWRIGHT by Phil Darg with Stephen T. Wangner, Tamralynn DorsaWhat makes this festival a favorite among playwrights around the globe is the professional production their plays receive here. Festival founder Jeffrey Sanzel had the arduous task of selecting, from more than 500 submissions worldwide, six plays that would get their world premieres. Mr. Sanzel then had to cast these shows and direct them. All six of these one-acts blossomed under the razor-sharp direction of Mr. Sanzel, and a whole creative team of designers and actors worked their theatrical magic as well. These plays are performed on Theatre’s Three’s intimate Ronald F. Peierls Second Stage, allowing the audience to be upfront and personal with the onstage action.

Having entered countless numbers of these festivals myself, I got a real kick out of the opening play by Phil Darg, Confessions of a Successful Playwright. This play is a riotous take on One-Act Festivals and the extreme lengths a modern-day playwright takes to see his works produced. Stephen T. Wangner as the playwright, Wade, and Tamralynn Dorsa, as the reporter interviewing him, were both exceptional in their respective roles.

Theatre Three THE TURN-AROUND by Cary Pepper & Steve Ayle.The Turn-Around, by Cary Pepper, featured two of my favorite Theatre Three veterans, Steve Ayle and Antoine Jones. Steve Ayle used his facial expressions and body language brilliantly to portray Lester, a man who loves his guns and assault weapons. Antoine Jones was equally powerful as Robert, Lester’s next-door neighbor, and nemesis.   

Theatre Three BAD CHINA by Joshua Young with Steven Uihlein, Evan Teich, Brittany LaceyBad China, by Joshua Young, is a harrowing play, timely and thought-provoking, as it explores the dark world of addiction, and the extremes addicts will go to get a fix. Steven Uihlein gave a riveting performance as Nos, a junkie drug dealer. Evan Teich as Del, and Brittany Lacey as Reba, gave electrifying, unforgettable performances. Kudos to all three of these fine actors for having the courage to tackle these challenging roles.

Benign Departures, by Tony Pasqualini, is a futuristic look at ourTheatre Three BENIGN DEPARTURES by Tony Pasqu…ralynn Dorsa healthcare system in the mid-21^st century. Mary Ellin Kurtz gave an award-winning performance as an aged, homeless woman. Ms. Kurtz is a master of her craft. The exacting way she delivered her well-crafted lines proved that she was adept at performing both comedy and drama. Her subtle body movements, including labored breathing and stiffness of joints, and her every nuanced facial expression made you feel the pain, both physically and emotionally, that this character was experiencing. Tamralynn Dorsa, as the doctor with a tough decision to make, brought warmth and likability to a part that basically called for callousness and the ability to make cold calculations.

Theatre Three THE BEAT GOES ON by Arianna Rose…Sari FeldmanThe Beat Goes On was written by one of my favorite playwrights, Arianna Rose. This one-act play uses personification to bring various forms of music containment to life, including L.P., cassette, 8-track, CD, and MP3. The very talented cast, including Sari Feldman, Steve Ayle, Antoine Jones, Brittany Lacey, Steven Uihlein, and Evan Teich, made this play hilarious to watch. Sari Feldman was outstanding as Cass because her dance moves and hand gestures were spot-on. The fabulous costumes by Jason Allyn made this play a standout. I loved Brittany Lacey’s shiny mini dress and sparkling silver shoes, Steven Uihlein’s light-up costume, and Steve Ayle’s 70s style rock outfit.

Theatre Three PLAY DATE by Frank Tangredi with Bradlee Bing, Stephen T. Wangner, & Eric J. HughesPlay Date, by Frank Tangredi, is a warm, whimsical look at fatherhood from two differing perspectives. Bradlee Bing gave a heartrending performance as Lou. He seemed to have a deep understanding of the character he portrayed. The onstage chemistry and delightful bantering between him and Tyler, a young father who Eric J. Hughes captivatingly portrayed, made this play a winner.

Entertaining, enlightening, and engaging Theatre Three’s Festival of One-Acts is one of the highlights of Long Island’s 2022 theatrical season. If you’re a fan of theatre festivals, then this one won’t disappoint, and if you’ve never attended one, then, please, go and see some cutting-edge plays.

Special thanks go out to the Lippencott Financial Group for sponsoring this festival which runs now through April 2. For tickets, please visit their website at www.theatrethree.com. For more information, call 631-928-9100.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guilds. She is the author of Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships and Confessions of a Reluctant Long Island Psychic. www.Grantmeahigherlove.com.

Theatre Review: Theatre Three's 'The Marvelous Wonderettes'

By Cindi Sansone-Braff

photos by Brian Hoerger

Theatre Three’s The Marvelous Wonderettes is a Winner!

The Marvelous Wonderettes, directed by the talented Linda May, runs through March 26 at Theatre Three. This family-friendly, two-act musical features more than 30 doo-wop and R&B hits from the 1950s and ’60s and provides lively, sentimental, escapist entertainment, something COVID-fatigued audiences seem to need right now.

Photo by Brian HoergerThe musical opens in the gymnasium of Springfield High School on the night of the 1958 senior prom. “Marvelous Dreams,” the prom’s theme, is prominently displayed on a large banner. The first act is all bubbles, bubble gum, and butthead jokes. Sure, there are a few petty arguments, fits of jealousy, and rivalries, but nothing earth-shattering occurs. However, Act Two takes place a decade later at the high school reunion hosted in the same gymnasium. This act is grittier and more dramatic since it deals with adulthood’s harsh realities, including shattered dreams, broken marriages, and tragic loss.

The all-girl quartette consists of Betty Jean (Cassidy Rose O’Brien), the class clown; Cindy-Lou (Noelle McLeer), the wannabe prom queen; Missy (Kate Keating), the often prim and proper, sometimes shy, sometimes bossy peacemaker of the group; and Suzy (Ashley Brooke), the giddy, gum chewing, easy-going one. These characters are costumed in their signature color: Missy in orange, Suzy in blue, Betty Jean in green, and Cindy-Lou in pink. 

Like most shows of this genre, this jukebox musical, written and created by Roger Bean, has bare-bones dialogue and a simple story that unfolds through popular songs. Under the astute musical direction of Cesar Flores, the four multi-talented leads, who were on stage the entire show, delivered each song with powerful vocals and pitch-perfect harmonies.

Ms. Keating plays the bespectacled, prissy Missy with just the right amount of quirkiness, awkward body poses, convoluted facial expressions, and nerdiness that this part demands. She’s most convincing as a lovesick teenager pining over one of her teachers, Mr. Lee. This show calls for some audience participation, and a member of the audience is brought up on stage to play the non-speaking role of her love interest. Ms. Keating’s powerhouse vocals were revealed when she belted out the slow, pop ballad, “Secret Love.”  

Ms. McLeer is believable in the role of Cindy-Lou, the egotistical, vain, at times vulnerable teenager who callously steals Betty Jean’s boyfriend. Ms. McLeer gave a riveting performance during “Allegheny Moon,” and her soulful rendition of “Son of a Preacher Man,” an R&B song with strong gospel overtones and striking instrumentals, was one of the highlights of the evening.  

Cassidy Rose O’Brien aced the role of Betty Jean with her perfect sense of comedic timing. Whether seizing someone else’s microphone, obnoxiously blowing bubbles, secretly lifting one of the other girl’s dresses, or fumbling with a hula hoop, she steals every scene with her crazy antics. Her knockout vocals and physical comedic skills were apparent with her stellar delivery of “Lipstick on Your Collar.” Her more sensitive side was displayed with her moving version of “That’s When the Tears Start.”

Suzy is the character who changes the most in the show. As the high school girl, she is playful, happy-go-lucky, and hopeful, but a decade later, big with child, she is hormonal, moody, and pessimistic. Ashley Brooke as Suzy is riotous throughout, but her dance moves and gestures during the R&B hit song “Respect” were over-the-top hysterical. She showed her sweet and sultry voice during “Stupid Cupid,” “Hold Me, Thrill Me, Kiss Me,” and “Rescue Me.”

Photo by Brian HoergerA big round of applause goes out to the live band. Visible on stage throughout the show were Cesar Flores, piano, Dave Grudzinski, bass, Don Larsen, drums, John DeRicco, guitar, and Bill Kinslow, sax.

The outstanding choreography by Sari Feldman was comedic at times, always energetic, and dynamic where it needed to be.

Extraordinary lighting effects on the part of Robert W. Henderson, Jr. greatly added to the overall success of this show, from the dramatic spotlights on the individual singers to the festive lights circling the theater at the finale.

The realistic set, depicting a high school gymnasium with the requisite Boys’ and Girls’ locker rooms on either side, was the brainchild of Randall Parsons. 

Appropriate period hairdos, including Suzy’s long, blonde ponytail for the 1950s look and the infamous 1960s bouffant hairstyles in the second act, added to the show’s realism. Also, the costume designs by Ronald Green III – for the prom, short, full-skirted evening gowns with crinoline petticoats underneath to poof them out and stilettos, and for the reunion, miniskirts and white go-go boots – added a layer of panache to the show.

This rousing, nostalgic, fun evening of musical theater, complete with plenty of audience participation, makes Theatre Three’s The Marvelous Wonderettes a must-see production.  

For tickets, please visit their website at www.theatrethree.com. For more information, call 631-928-9100.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guilds. She is the author of Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships and Confessions of a Reluctant Long Island Psychic. www.Grantmeahigherlove.com.

Theatre Review: 'Rock Of Ages'

Rock Out with Engeman Theater’s Riotous Rock of Ages

If you’re looking for a grown-up, fun night out, where you can rip loose with plenty of non-stop music, dancing, Renee Titus (Justice), Bailee Endebrock (Sherrie), Matt DaSilva (Lonny), Dan Hoy (Drew), Ryan M. Hunt (Hertz)and laughter, then head on down to The John W. Engeman Theater and check out ROCK OF AGES, which runs through Sunday, March 13, 2022. Judging by the roaring standing ovation Saturday night’s performance received, a rollicking good time was had by all.

This Tony Award-nominated Broadway musical, written by Chris D’Arienzo, combines a romantic storyline, plenty of ribald humor, and a retro score of classic 1980s rock anthems and ballads featuring hit songs from Journey, Bon Jovi, Foreigner, Pat Benatar, Twisted Sister, and Whitesnake. However, it is the show-stopping vocals, sensational dance numbers choreographed by the very talented Natalie Malotke, and Kurt Alger’s fabulous costumes and big poofy wigs that all came together to make this show a winner. 

Dan Hoy (Drew)The live band, an integral part of this jukebox musical, was top-notch, so a big shout-out goes to Jeff Cox, Peter Scoma, Jerry Kops, Teddy Motz, and Josh Endlich for their efforts.  

Under the talented direction of Igor Goldin, the energetic, vibrant cast gave it their all. This polished production truly captured the “sex, drugs, and rock’n’roll” frenzy that characterized the tail end of the ’80s, referred to as the “Decade of Greed.”

What is so remarkable about this musical, set against the backdrop of LA’s Sunset Strip, is that each ensemble member gets to have their moment in the spotlight.  

The multi-talented Dan Hoy flawlessly portrayed Drew, the localBailee Endebrock (Sherrie) bartender desperate to make it as a rock star. Bailee Endebrock is unforgettable as Sherrie, Drew’s love interest and an aspiring actress hellbent on becoming famous. Ms. Endebrock is a triple threat with her stellar singing, acting, and dancing skills. There was great onstage chemistry between Drew and Sherrie, especially in the steamier scenes. They both gave heartrending performances during the moving romantic number “The Search Is Over.”

Matt DaSilva plays Lonny, the buffoonish narrator, who is on stage throughout most of the show. To pull off this role, an actor must display boundless energy, have an innate sense of comedic timing, and possess an over-abundance of charisma. Mr. DaSilva doesn’t disappoint since he is an indubitable dynamo.   

Erik Schark rocks the part of Dennis, the stoner-owner of the iconic Bourbon Room, located on the legendary Hollywood Walk of Fame. Mr. Schark and Mr. DaSilva displayed their strong vocals and physical comedy skills during their riotously funny rendition of “Can’t Fight This Feeling.” The audience howled with laughter as the song came to a saucy climax involving Lonny, Dennis, and a fog machine. 

Front: Dan Hoy (Drew); Back: Matt DaSilva (Lonny), Jessica White (Ensemble), Tiger Brown (Ensemble), Kenneth Washington (Ensemble/Mayor), James Garrett Hill (Ensemble/Joey Primo), Laura Guley (Ensemble/Waitress #1)Franz Klinemann, played to perfection by Sean Widener, is the sycophant son of a German developer who wants to turn the Sunset Strip into a giant strip mall. Ryan M. Hunt is terrific as Hertz Klinemann, the cold, calculating, uptight businessman and father, who revealed his softer side when he crooned REO Speedwagon’s beloved rock ballad “Keep On Loving You.” 

Daria Pilar Redus gave a riveting performance as Regina, whoBailee Endebrock (Sherrie) and Dan Hoy (Drew) pronounces her name so that it rhymes with, Oh, never mind, see the show, and find out for yourself what the raunchy rhyme is.  

“Hit Me With Your Best Shot” is the song that launches the pivotal scene in the show when the mealy-mouthed Franz makes a 180-degree turn letting it all hang out to join forces with the unstoppable Regina. Their hilarious performance during this show-stealing scene is worth the price of the ticket!

Nick Bernardi was captivating and convincing as Stacee Jaxx, the egotistical, womanizing, smitten-with-himself rock star. The dirty bathroom scene at the Bourbon Club, involving Stacee and Sherrie, had just the right amount of naughty humor and earthy pathos to make it ring true. Both these actors showed off their powerhouse vocals as they sang their hearts out to “I Want to Know What Love Is,” accompanied by a heartbroken Drew and the rest of the outstanding Company.

Renee Titus as Justice, the kind-hearted owner of the Gentlemen’s Club, brought richness and depth to thisMatt DaSilva (Lonny), Kenneth Washington (Ensemble/Mayor), Laura Guley (Ensemble/Waitress #1), Daria Pilar Redus (Regina), Tiger Brown (Ensemble), Jessica White (Ensemble), James Garrett Hill (Ensemble/Joey Primo) stereotypical character. Ms. Titus also displayed her killer vocals throughout the show.

The first-rate ensemble includes Natalie Nicole Bellamy, Tiger Brown, Gary Paul Bowman, Sean William Fleming, Laura Guley, Christian Maxwell Henry, James Garrett Hill, Jaelle Ashley Laguerre, Kenneth D. Washington, and Jessica White.

Bailee Endebrock (Sherrie) and Nick Bernardi (Stacee Jaxx)Risqué, ridiculous, and outright raunchy at times, Rock of Ages is a riotous romp through the extravagance and excess of the Reagan-era 1980s that will have you rocking out in your seat.

Tickets may be purchased by calling 631-261-2900, going online atMatt DaSilva (Lonny), Erik Schark (Dennis), Dan Hoy (Drew) www.EngemanTheater.com, or by visiting the Engeman Theater Box Office at 250 Main Street, Northport. 

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guild and the Long Island Authors Group. She is the author of three self-help books, Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic. www.grantmeahigherlove.com 

Theatre Review: Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery.

By Cindi Sansone-Braff

A Fun Whodunit at Theatre Three

Theatre Three BASKERVILLE Elena Faverio, Ana McCasland, Evan Donnellan, Kevin Callaghan, Jonathan Sawyer CoffinTheatre Three continues its outstanding 2021-2022 season with a mainstage production of Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery. This acclaimed adaptation of Arthur Conan Doyle’s 1901 classic The Hound of the Baskerville is chock-full of intrigue, mystery, murder, and belly laughs. In 2017, Baskerville was one of the most produced plays in the United States.

Under Christine Boehm’s astute direction, this show is a tour de force, high energy, theatrical delight. Like the book it is based upon, this play is clever, well-crafted, and filled with countless colorful characters. Keep in mind that the novel was written as a serious detective story, whereas Baskerville intends to be a murderously funny show. However, the recurring theme that good always triumphs over evil, which runs through all of Sherlock Holmes’s stories, rings out loud and clear in Ken Ludwig’s adaptation.

Theatre Three BASKERVILLE Evan Donnellan & Kevin CallaghanEvan Donnellan’s Sherlock Holmes, complete with his trademark hat and pipe, is everything this favorite sleuth is expected to be: quick-witted, decisive, confident, and at times obsessive and irritating. In this farcical production, Sherlock Holmes is the straight man, and Mr. Donnellan amazingly managed to maintain the classic deadpan manner while surrounded by a whole lot of slapstick shenanigans going on! Kevin Callaghan, as his trustworthy sidekick, Dr. John Watson, is dignified and intelligent when necessary, yet he also has a strong sense of comedic timing, and his pratfalls and delivery of funny lines were spot on. Watson is the heart and soul of this play, and Mr. Callaghan’s powerful stage presence was captivating throughout.

The ensemble, Jonathan Sawyer Coffin, Elena Faverio, and Ana McCasland, are multitalented performers. With the help of hats, costumes, props, accents, and mannerisms, they transformed from one character to the next in the blink of an eye.   Kudos to all three of these versatile actors for doing much of the heavy lifting in this show, as they each had to portray a wide array of stock characters such as a nurse, maid, doctor, train conductor, desk clerk, country farmer, and trap driver, to name just a few of the over 40 characters they depict. Mr. Coffin did an outstanding performance as Sir Henry Baskerville, a young Texas cowboy, and some of the biggest laughs came from his portrayal of Daisy. Ms. McCasland, a natural-born comedian, aced the role of Stapleton, the geeky butterfly chaser with a dark side, and Elena Faverio was convincing as the scrappy Dickensian street urchin and equally as believable as the flirtatious, lovestruck Miss Stapleton.

This clever, fast-paced comedy is challenging for all the creatives involved, and the design team hit all the right marks. Randall Parsons’s innovative set design evoked Theatre Three BASKERVILLE Kevin Callaghan, Ana McCasland, Jonathan Sawyer Coffin, Elena Faverioan eerie mood while allowing the fast scene changes to happen effortlessly. Tim Haggerty’s realistic sound effects, including death knells, thunder, rain, hounds howling, and strong winds, definitely added to the show’s overall success, as did Chakira Doherty’s authentic period costumes. Ms. Doherty had the additional task of ensuring the costumes facilitated all the rapid-fire changes that this zany script demanded.

This must-see fun, family-friendly show runs now through February 5^th. To purchase tickets, call 631-928-9100 or visit www.theatrethree.com.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatists Guild and the Long Island Authors Group. She is the author of three self-help books, Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic. www.grantmeahigherlove.com 

Theater Review Gateway's Holiday Spectacular On Ice

The Gateway’s Holiday Spectacular on Ice is the Hottest Show in Town!

Nancy Kerrigan At Patchogue Theatre “Holiday Spectacular On Ice”The Gateway’s Holiday Spectacular on Ice at Patchogue Theatre is a star-studded show featuring Nancy Kerrigan, two-time Olympic medalist; Polina Edmunds, 2014 Olympian, and two-time US Silver Medalist; and Shannon Gibbons, a beloved Bellport singer and a Season 18 American Idol contestant.

This extraordinarily entertaining show captures the magic of the season as The Gateway transforms Patchogue Theatre’s stage into a glistening ice rink.

Nancy Kerrigan, as host and performer, was charismatic and likable.  She wowed the audience from the moment she stepped on stage in the poignant opening number “Where Are You Christmas.”  She was joined by the talented soloist Keira Ballan and two young figure skaters: Gabrielle Freeman, a feisty five-year-old, who often stole the show, and Madison Lada, a nine-year-old with a most promising figure-skating future.

All the other youth skaters were great performers and added to the enchantment of the show.  Kudos to Allison Hu, Magghimae Black, Conalie Julia King, Dorothea Kurko, Isabella Marino, Sophia Vases, and Gwendolyn Vignato for their stellar performances. 

Featured skater Polina Edmunds’s performances were graceful, dynamic, and elegant. She is amazing to watch because she skates from her heart and soul, allowing the music to dictate her every move. In some performances, one of the most decorated show skaters in the world, Rohene Ward, is the featured skater.

The show’s four singers were all outstanding.  Zenni Corbin and Gracie Phillips did a fun, woke version of “Baby It’s Cold Outside.” They also displayed their vocal talents with a heartfelt rendition of “I’ve Got Love to Keep Me Warm.” Ryan Hurley’s rich and powerful vocals were amply demonstrated in his passionate version of “O Holy Night.” Shannon Gibbons’s incredible voice was apparent as she delivered the song “Like Its Christmas.”

The Female Ensemble Skaters, dressed in costumes that made them look angelic, gave an ethereal performance of “Silent Night.” In other numbers, such as “Sleigh Ride,” they were like ice skating Rockettes.

Michael Solonoski’s athletic figure skating and aerial acrobatics thrilled the audience during the spell-binding number “Light of Nibel.”

“Santa Baby” was one of the high points in the show.  Gracie Phillips, donning a beautiful black and white gown, was sexy and fun as she belted out this tongue-in-cheek song about a woman who wants over-the-top gifts from Santa. The male skaters, Nathan Chapple, David Shapiro, Jordan Peiser, and Tam Bui, dressed to the nines in tuxedos, added a touch of extravagance to this number. When the large red sleigh appeared, well, that was just the icing on the top of this showstopping number.

Isabelle Inthisone, Jordan Peiser, Natasha Mishkutionok, and Jaden Schwab gave riveting performances doing “The Christmas Song.”

“Run, Run Rudolph,” featuring David Shapiro, Ilana Sedaka, Courtney Hicks, Violeta Ushakova, Ariela Masarsky, and Alexandra Zimmermann, was a high-energy rock & roll number.  I loved the poodle skirts, and David Shapiro even managed to throw in a couple of Elvis hip gyrations while skating.

“Rockin’ Around the Christmas Tree” had the audience toe-tapping and clapping, and Dimitra Korri’s rousing performance showed why she is a figure skating champion.

The gifted members of the Youth Ensemble were Alexa Allan, Brynne Ballan, Keira Ballan, Samara DeCastro, Allie Dematteo, Danny Donahue, Ben Flaumenhaft, Skylar Greene, Maya Guacci, Samantha Hayes, Jarod Hirsh, Kailyn Marra, Maddie McQuade, Brendyn Molnar, Halle Morana, Michael Pedra, Albert Peterson, and Daniel Rubinson. The Youth Singers and soloist Samara DeCastro gave a very moving rendition of the classic holiday song, “Feliz Navidad.”

Alexa Gasparotto made a surprise appearance as a skating Rudolph during the Youth Singers fun performance of “Rudolph the Red-Nosed Reindeer.”

Director Keith Andrews and Figure Skating choreographer Tara Modlin worked diligently to make this ice spectacular a truly captivating experience.

On an interesting side note, the Costume Designer for the show, Matthew Solomon, is Nancy Kerrigan’s son.  Mr. Solomon’s magnificent costumes added a bit of holiday glamor to the show.

Rudolph, Santa, Frosty the Snowman, dancing dogs, sensational sets and costumes, snow falling, figure skating, and classic songs delivered by world-class singers, how could anyone ask for more?  This fun, festive, family-friendly show runs now through January 1. For tickets, contact the Box Office at (631) 286-1133 or buy online at https://TheGateway.org/.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatist Guild and the Long Island Authors Group. She is the author of three self-help books, Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic. 

Theater Review 'White Christmas' At Engeman Theater

“White Christmas,” at the Engeman Theater, is an Enchanting Holiday Must-See for the Entire Family

Aaron Young and Ensemble in “Blue Skies”Irving Berlin’s White Christmas The Musical is based on the beloved Paramount Pictures 1954 film starring Bing Crosby, Danny Kaye, Vera-Ellen, and Rosemary Clooney. This two-act show features music and lyrics by Irving Berlin and book by David Ives and Paul Blake. 

The musical opens somewhere on the Western Front of WW II, on Christmas Eve, 1944, where we meet our two leading men, who are still in the army and entertaining the troops with a holiday show. From the opening numbers, “Happy Holiday” and “White Christmas,” Daniel Plimpton as Phil Davis and Aaron Young as Bob Wallace let us know that they can sing, they can dance, and they can act! We also get to meet the formidable General Henry Waverly, played to perfection by Keith Lee Grant. Mr. Grant has a stately demeanor and a commanding voice that served this part well.

Meadow Nguy and Darien Crago in “Sisters”Fast forward to 1954 when Bob and Phil, now well-known Broadway song-and-dance stars, appear on The Ed Sullivan Show. Later that evening, they go to “Jimmy’s Back Room” to catch Betty and Judy Haynes nightclub act. Donned in stunning blue dresses, Meadow Nguy as Betty and Darien Crago as Judy blow Bob and Phil away with their powerful voices, strong stage presence, and incredible fan dance as they perform “Sisters,” a song humorously reprised by Bob and Phil during Act II.  Through some scheming on Phil and Judy’s part, they all wind up in Vermont, at the Columbia Inn, owned by Henry Waverly, Bob and Phil’s former general. As soon as they discover that this ski resort is in severe financial trouble, Phil and Bob recruit their old army buddy, now a prominent television executive, Ralph Sheldrake, convincingly played by Nick Abbott, to help save the Inn. 

Suzanne Mason as Martha Watson, the Inn’s wisecracking concierge, aced the role, and she gave a showstopping performance with her rendition of “Let Me Sing and I’m Happy.” Annabelle Deaner, as the general’s precocious granddaughter, Susan Waverly, was charismatic when she performed her own rousing version of “Let Me Sing and I’m Happy.”  Hearing such a big voice coming from this gifted little girl was one of the show’s high points.

Darien Crago and Daniel Plimpton in “I Love a Piano”The very talented Stephen Valenti played several roles, including the snoring man on the train who wakes up and sings his heart out, and Ezekiel Foster, a slow-moving farmhand who is a man of few words, yet riotously funny.  During the intermission, Mr. Valenti entertained the audience with his well-choreographed, painfully slow sweeping of the stage.

One of the most moving scenes in the show takes place in the Regency Room in New York City, where Betty performs the touching ballad, “Love, You Didn’t Do Right by Me.” Ms. Nguy’s euphonious voice was filled with passion and longing when she delivered this heartrending song. Mr. Young gave a standout performance when he crooned “How Deep is the Ocean.”  

Under the astute direction of Matt Kunkel, the entire ensemble was energetic and flawless throughout. Kyle Dixon’s innovative set design, especially the quintessential Vermont barn,  added a bit of holiday charm to the show. There are many incredible 1950-style costumes by Dustin Cross, all of them ideally suited for each number. Using black and white outfits to represent keyboard colors during the song “I Love a Piano” was a stroke of genius.  This electrifying number had one of the most complex tap-dancing routines you will ever see on any stage. I am sure the rousing standing ovation at the show’s end had a great deal to do with Drew Humphrey’s outstanding choreography.

Full cast in “White Christmas”“The Best Things Happen While You’re Dancing” was one the most beloved dance numbers in the White Christmas movie and of all times for that matter, and Mr. Plimpton and Ms. Crago’s talent really shined through in this graceful and elegant dance performance that gave Danny Kaye and Vera-Ellen a run for their money.

Make your holidays merry and bright by treating your family to this fun, festive, feel-good musical.

The Engeman Theater is having a fundraiser for the local foodFront: Joshua Keen, AnnaBelle Deaner and Ryan Rodino, Back: Darien Crago and Daniel Plimpton in “Let Me Sing and I’m Happy”  pantry, so please bring a few extra bucks to drop in the baskets as you leave; after all, this is the season to count your blessings and to be charitable. 

WHITE CHRISTMAS runs from now until Jan 2. Tickets may be purchased by calling (631) 261-2900, online at www.EngemanTheater.com, or visiting the Engeman Theater Box Office at 250 Main St., Northport.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatist Guild and the Long Island Authors Group. She is the author of three self-help books, Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic.

Theater Review 'A Gentleman's Guide To Love & Murder'

A Killer Revival at The Gateway

The opening night performance of A Gentleman’s Guide to Love & Murder at The Gateway was a deliciously decadent theatrical treat. 

This wickedly witty musical was the most nominated show of the 2014 season, garnering ten Tony nominations and four wins for Best Musical, Book, Direction, and Costumes, and earning seven Drama Desk Awards, four Outer Critics Circle Awards, and one Drama League Award.

Loosely based on the 1907 novel Israel Rank: The Autobiography of a Criminal by Roy Horniman, which also inspired the movie Kind Hearts and Coronets, A Gentleman’s Guide to Love & Murder features book and lyrics by Robert L. Freedman and music and lyrics by Steven Lutvak. 

This wacky Edwardian-style farce unfolds in flashbacks taken from a memoir that the antihero, Monty Navarro, wrote in prison documenting his nefarious activities.  After Monty discovers that he is eighth in line for an earldom in the noble D’Ysquith family, he decides to bump off eight of his family members and become the ninth Earl of Highhurst.   It doesn’t take long for the audience to figure out that the D’Ysquiths die quick and in the oddest ways!

What makes this musical so unusual is that one actor, and in this case the multi-talented James Taylor Odom, plays all the roles of the eight D’Ysquith heirs, including a feeble Reverend and a spinster society matron hellbent on being charitable. He also plays a ninth role, a seemingly naïve, likable janitor who happens to be a D’Ysquith as well. Amazingly, Mr. Odom makes every one of the D’Ysquiths so uniquely different that it’s hard to believe that one actor played all of these disparate characters. 

Blake Price’s Monty Navarro is handsome, devilishly charming, sometimes sinister, and often quite endearing. With his sultry voice and seductive gestures and mannerisms, Mr. Price killed the sizzling love song “Sibella.”

Yes, there are plenty of murders in this show, but what about love?  Well, there’s certainly plenty of that too.  One of Monty’s love interests, Sibella Hallward, as played by Gail Bennett is everything this character should be: beautiful, clever, vain, and ambitious. Sure, Sibella loves Monty, but she loves money more, and it comes as no shocker when she marries another man for his money but still carries on a torrid affair with Monty. Ms. Bennett has a magnificent singing voice and delivered the song, “I Don’t Know What I’d Do,” with the right amount of sassiness this catchy tune called for.

Kelley Dorney gave a stellar performance as his second love interest, Phoebe D’Ysquith.  Her duet with Monty, “Inside Out,” was moving and memorable.

Mr. Price, Ms. Dorney, and Ms. Bennett displayed their strong vocal and comedic skills during the number “I’ve Decided to Marry You.”   

Terra C. Macleod was outstanding in the role of Miss Shingle, the mysterious woman who tells Monty of his lineage. Her facial expressions went from sweet to sly in seconds, revealing there’s more to her than meets the eye.

The entire ensemble was versatile and polished, and Janet Dickinson, Cassie Austin, Matt Rosell, David Engel, and Jonathan Arana deserve a standing ovation.  Act II opened with a bang when the ensemble, donned in black mourning attire, gave a show-stopping rendition of “Why Are All the D’Ysquiths Dying.”

The original Broadway award-winning director and choreographer, Peggy Hickey, did a fabulous job resurrecting that same Broadway magic in this flawless revival. And just for the record, directing a show as technically challenging as this one is a Herculean task.

Linda Cho’s period costume designs were breathtaking, particularly the magnificent gowns worn by the female leads.  The Scenic Design by Alexander Dodge was visibly stunning, and the special effects, including singing portraits, talking statues, and dancing armor, added a touch of razzle-dazzle to this production.

Tickets for “A Gentleman’s Guide to Love & Murder,” which is running at the Gateway now through December 4^th, are available by calling 631-286-1133 or at thegateway.org.

Cindi Sansone-Braff is an award-winning playwright. She has a BFA in Theatre from UCONN and is a member of the Dramatist Guild and the Long Island Authors Group. She is the author of three self-help books, Grant Me a Higher Love, Why Good People Can’t Leave Bad Relationships, and Confessions of a Reluctant Long Island Psychic.