Theater Review – ‘The Bridges of Madison County’
Produced by Theatre Three – Port Jefferson Reviewed by Jeb Ladouceur
Francesca Johnson is a moderately fulfilled Italian war bride living a rather dreary, but apparently decent existence in staid, rural Iowa. During eighteen years on the farm, and married to a nice-enough guy who’s the brusque father of her two teenaged kids, Francesca’s ostensibly never considered an extra-marital affair. Then again, she’s never run into anybody as desirable (and available) as the divorced, Robert Kincaid.
When Robert stops at the Johnsons’ farmhouse to ask for directions to a covered bridge he’s been assigned to photograph for National Geographic (husband Bud Johnson and kids are off to the State Fair for the weekend) Francesca’s pent-up early forties juices are re-awakened, and the photographer finds himself in an almost-impossible-to-resist situation.
This is the premise of Robert James Waller’s runaway best-selling 1992 novel, ‘The Bridges of Madison County,’ a book that thus far is said to have sold to the tune of 60 million copies worldwide. Even before one considers pass-along readership, that’s a publishing phenomenon of the first order. It’s clear that author Waller has tapped into a story of vast interest and near-universal appeal.
On Theatre Three’s impressive stage in Port Jefferson, noted director Jeffrey Sanzel has mounted the musical version of ‘Bridges…’, and the lengthy production (nearly three pleasing hours) is faithful enough to both the blockbuster novel, and the 1995 award-winning Clint Eastwood – Meryl Streep motion picture.
The secret to real-life academic Waller’s overall success (and especially that of ‘Bridges’) seems to be believability. Readers the world over, having cast their emotional lot with the romance-starved Francesca, and her somewhat lesser-torn love interest, photographer Kincaid, quickly bombarded National Geographic with hundreds of letters demanding to know more about the life and work of Robert the irresistible lensman.
The truth is, of course, that neither Robert the photographer, nor any National Geo story on the famed Iowa bridges actually exist. But so compelling is Waller’s fabrication that to this day thousands of the writer’s admirers … as well as the millions of attendees at the film and stage versions of his story … refuse to accept the magazine’s claims of fictitiousness. It’s the kind of conviction that every writer of fiction dreams of establishing in his readers … or those who view stage and film adaptations of his work.
The version of ‘Bridges’ now playing at Theatre Three thru October 28, is a heartbreaking tale of love’s difficult choices that serious theatergoers really should see. Yes … it will generate controversy … but so do apple pie, football, and flu shots. The collective genius of Tracylynn Conner (Francesca), Brian Gill (Robert Kincaid), and director Jeffrey Sanzel is that they provide fodder aplenty for everyone’s mill … without unduly offending patrons who might disagree with their interpretations.
When leaving the charming old playhouse last weekend, I heard one woman say somewhat huffily, “How long did she think that would last?” To which her male escort responded semi-salaciously, “Seems to me they’re both already ahead of the game.”
It’s easy enough to observe that Robert Kincaid embodies the second chance that middle-aged women rarely get, but the question remains as to whether this single man, accustomed as he now is to total freedom from responsibility, represents a wise choice for a future life together. In the final analysis, it is Francesca who must decide (and decide she does … my lips are sealed). And the wisdom of her choice seems divided along gender lines.
One thing is beyond dispute, however … it is the expert interpretation of this moving slice of life. The acting … and particularly the pacing of all the performances … is superb. Amy Wodon Huben is perfect as Francesca’s good-hearted but gossipy neighbor down the road … and the mostly-strings orchestra under the direction of Jeffrey Hoffman is splendidly unobtrusive.
That’s essential in this play because Jason Robert Brown’s music and lyrics constitute such an important component of the show. If, for instance, there’s a more touching country ballad than ‘It All Fades Away,’ I haven’t heard it.
I confess that after reading the Waller novel, I feared viewing the film would prove a disappointment … it didn’t. And having been thus impressed by the motion picture, I approached this Long Island premiere of ‘Bridges’ in its musical version with trepidation … I shouldn’t have. It’s even better than the movie!
On Broadway, the show received a total of nineteen nominations from major awarding agencies (including four Tony nods, and winning two). Nonetheless, the musical never really resonated with sophisticated New York audiences, and ‘Bridges’ closed on May 18 of 2014, after a mere 100 performances. Fortunately, Theatre Three has brought this wistful gem to Port Jefferson’s ‘Broadway on Main Street,’ where every member of its cast and crew contributes to still another winning production.
Award-winning writer, Jeb Ladouceur is the author of a dozen novels, and his theater and book reviews appear in several major L.I. publications. His recent hit, THE GHOSTWRITERS, explores the bizarre relationship between the late Harper Lee and Truman Capote. Ladouceur’s newly completed thriller, THE SOUTHWICK INCIDENT, was introduced at the Smithtown Library on May 21st. The book involves a radicalized Yale student and his CIA pursuers. Mr. Ladouceur’s revealing website is www.JebsBooks.com