Friday
Feb022018

SUFFOLK CLOSEUP - Using The Written Word To Protect The Environment

SUFFOLK CLOSEUP

By Karl Grossman

I was thrilled to just be informed that I’ve been honored as “Environmentalist of the Year” by the Long Island Sierra Club. As a professor of journalism at SUNY/College at Old Westbury, for decades I’ve taught Environmental Journalism and spend several classes in presentations about John Muir, founder of the Sierra Club.

Muir is especially known for crusading for creation of Yosemite National Park—with his one-on-one three-day camping trip there in 1903 with President Theodore Roosevelt having a great influence on Roosevelt, a conservation-minded Long Islander, not too incidentally. It’s been called the “camping trip that changed the nation.”

Saving wilderness was Muir’s mission. “The clearest way into the Universe is through a forest wilderness,” he wrote. He and the Sierra Club were instrumental in the preservation of many great natural places. 

Important for the Environmental Journalism class is that Muir emphasized the use of the published word to raise public awareness. He wrote 12 books and 300 articles—his first article, “Yosemite Glaciers,” was published in 1871 in the New York Tribune

Thus, I tell my students, Muir and other early writers on nature—Thoreau, Emerson and Long Island’s own Walt Whitman—provided a base. And then came, in 1962, Rachel Carson’s book “Silent Spring,” her expose on the dangers of pesticides, which laid the foundation for the contemporary practice of what became to be called environmental journalism. 

It was 1962 that I got my first job as a reporter, on Long Island, at the Babylon Town Leader, with my first major assignment looking into the plan of public works czar Robert Moses, a Babylon resident, to build a four-lane highway the length of Fire Island. 

I began combining what’s now called investigative reporting with environmental journalism in many articles challenging the Moses scheme and pointing to preservation with a Fire Island National Seashore, created in 1964.

I went on that year to the Long Island Press and after a few years of daily cops-and-courts reporting was back with a focus on mixing investigative reporting and environmental journalism.  John Hohenberg, professor at the Columbia University Graduate School of Journalism, was to update what had been a standard journalism textbook that he wrote, “The Professional Journalist,” adding: “It has not taken the nation’s newspapers very long to demonstrate their effectiveness as crusaders to protect the environment. Through their accomplishments, they have gone far toward making up for the long years during which they neglected the issue. It has seemed to make no difference whether a paper is large or small; if it has a public-spirited publisher, a determined editor and a talented and devoted staff, it can—and does—obtain results.” I was elated that he then mentioned my work and that of three other journalists.

I’ve continued to combine investigative reporting with environmental journalism now for more than 50 years—in books, on TV (hosting the TV program “Enviro-Close-Up” for 27 years, visit wwww.envirovideo.com) and on radio, in magazines and newspapers, and in recent years on the Internet on which you are reading this column. 

A lot of my work has been done nationally and some internationally, and this has included breaking the story of how the next mission of the ill-fated Challenger space shuttle involved it lofting a space probe fueled with deadly plutonium. This sparked one of my books, “The Wrong Stuff,” and TV documentary “Nukes in Space: The Nuclearization and Weaponization of the Heavens.” I detail accidents that have happened in the use of nuclear power in space by the U.S. and the Soviet Union/Russia. I was invited to speak in Russia and made a series of presentations through the 1990s into the middle 2000s including at the Russian Academy of Sciences. I would not accept an invite now with Putin imposing totalitarianism, and journalists—and environmentalists—in enormous peril. 

But my home and the subjects of much of my journalism have been on Long Island—why the honor from the Long Island Sierra Club is so gratifying. The club has 6,000 members in Nassau and Suffolk Counties.

As I’ve continued the combination of investigative reporting and environmental journalism I started with the Fire Island stories, for 25 years I challenged the plan to build 7 to 11 nuclear power plants on Long Island. Today, after the strong activism of folks at the grassroots and stand-up opposition by governmental leaders, Long Island is nuclear-free. 

Long Island is a wonderful environment—but there are many environmental threats still. Applying to the island’s green environment the remarks of journalist, inventor and diplomat Benjamin Franklin at the close of the Constitutional Convention in 1787 and founding of our republic—we have it if we can “keep it.”

A Smithtown angle on this: I was asked, in the preparation of an article the Long Island Sierra Club is putting together, about what might have been my early background involving the environment. I quickly noted a lot had to do with the Boy Scouts in which I was very active growing up in St. Albans, Queens. Very instrument: camping as a Scout and becoming an Eagle Scout, succeeding in getting the Nature merit badge and other merit badges involving the outdoors. My Explorer Scout advisor was Floyd Sarisohn who exactly a decade earlier had become an Eagle Scout in the same Troop 50 in St. Albans. And my ties with Floyd and his wife, Bernice, who moved out to Commack and Floyd started a law practice here when I went off to Ohio to college, were even closer than that. My family—my folks and brother and me—lived on the top floor of a two-family house on Francis Lewis Boulevard in St. Albans. Below on the first floor lived Floyd and Bernice (before they had their two children).  It was so nice, having met a girl from Huntington Beach at college, getting married at 19 and settling in Suffolk in 1961, to reunite with Floyd, my Scouting mentor, and Bernice. Floyd became a judge and Smithtown Democratic chairman. 

The Sierra Club award ceremony will be held on Saturday, March 24, at the Suffolk County Environmental Center in Islip.

Karl Grossman is a veteran investigative reporter and columnist, the winner of numerous awards for his work and a member of the L.I. Journalism Hall of Fame. He is a professor of journalism at SUNY/College at Old Westbury and the author of six books. 

Tuesday
Jan302018

Theater Review – ‘Once’

 

Theater Review – ‘Once’

Produced by John W. Engeman Theater – Northport

Reviewed by Jeb Ladouceur

Barry DeBois as ‘The Guy’In March of 2012 the musical ‘Once’ opened on Broadway and stunned the theatrical world with an astonishing eleven Tony Award nominations … and eight wins! What’s more, those triumphs included Best Musical, and Best Actor. As proof of the fact that ‘Once’ was no flash-in-the-pan, the show also won 2012’s Drama Desk, and Drama Critics’ Circle awards for Outstanding Musical, and followed-up with the Drama League Award, as well as 2013’s Grammy for top Musical Theater Album.

It must have been some post-awards party!

The Boffo (if somewhat oddly-staged) Glen Hansard & Markéta Irglová production closed in early 2015, following nearly 1200 performances on the Great White Way. With a simple set that mimics a soddy Irish pub, a rather one-dimensional book, and austere costumes … not to mention a scarcity of memorable songs (the unforgettable ‘Gold’ is the exception) … this show, in which the cast is also the orchestra, is not your typical big town extravaganza. Nor is the average ‘eager boy meets reluctant girl’ plot anything new. This is a ‘Musician’s Musical’ staged in Dublin with the usual ‘leaving home’ Irish plot.

It’s the story of a ‘Guy’ in his 30’s … a Dublin street musician played to near-perfection by Barry DeBois. He’s a singer-songwriter-guitarist by night, and a vacuum cleaner repairman (of all things) during the day, ‘Guy’ has recently been jilted by his iron-willed girlfriend. She’s forsaken him in favor of life in The Big Apple, leaving ‘Guy’ with a broken heart and a determination to forget about his soulful music altogether. He vows henceforth to stick exclusively to his regular job—fixing those kaput vacuum cleaners ‘…the ones that just won’t suck.’

Bidding adieu to the bar where he’s been singing and playing, ‘Guy’ has every intention of leaving his guitar and his sorrow behind in the on-stage pub; the romantic memories associated with the familiar instrument are just too painful to bear. But that’s when a delightful young Czech woman, referred to simply as ‘Girl,’ detects ‘Guy’s’ angst and, having fallen for his musicianship (and his sad tale of woe), ‘Girl’ ultimately reveals that she, too, has a balky vacuum … if ‘Guy’ can fix it, and keep on playing and singing, she’ll play piano accompaniment for him … gratis.

Deal? … okay, the deal is struck … strike up the band … etcetera.

We learn about a kindly banker … a change of heart for ‘Guy’ (and ‘Girl’ as well) … an overhauled Hoover or two … and the compulsory recording company that quickly spots ‘Guy’s’ talent … all fairly predictable, and not unpleasant stuff.

In the capable hands of Director/Choreographer Trey Compton, the Engeman audience is treated to a show that will strike a chord with every musically inclined troubadour (as some of us envision ourselves) … will resonate with anyone who has ever suffered the pangs of unrequited love (ouch!) … and will please the lucky patrons in our midst who have found serendipitous redemption from misfortune when and where they least expected it.

And speaking of serendipity, local theatergoers who never thought they’d be enchanted by a musical featuring such rarities as a soft-hearted financial loan officer (believe that or not), and a cupid-like thirtysomething Mom with a daughter named Ivanka (I’m notkidding), are in for a huge surprise. Because thanks primarily to the multi-talented Barry DeBois (The Guy) and Andrea Goss (The Girl), the snazzy Engeman Theatre on Main Street in Northport is likely to keep those plush seats filled for the duration of this play’s fairly long run thru March 4th.

Some might even want to see ‘Once’ … ‘twice!’

 

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Award-winning writer, Jeb Ladouceur is the author of a dozen novels, and his theater and book reviews appear in several major L.I. publications. His recent hit, THE GHOSTWRITERS, explores the bizarre relationship between the late Harper Lee and Truman Capote. Ladouceur’s newly completed thriller, THE SOUTHWICK INCIDENT, was introduced at the Smithtown Library in May. The book involves a radicalized Yale student and his CIA pursuers. Mr. Ladouceur’s revealing website is www.JebsBooks.com

Tuesday
Jan302018

Amy's Perspective - Town Board Is Not Off To A Good Start

By Amy Fortunato

Town Board Meeting-

Hopeful to find a good seat, I arrived early – 6:30 PM on Thursday, January 25th. The addition of security guards in uniform for the first time were off-putting.  I asked the guards about the need for their presence.  They joked good naturedly.  But, it’s not welcoming. 

I knew there were three presentations scheduled for this regular meeting and advertised as public forums.  Earlier in the day, I queried Supervisor Ed Wehrheim and our Town Clerk, Vincent Puleo about the room inadequate size of the room.  Obviously it would not accommodate the potential residents who are interested in the various, important presentations.  He told me it was too late to change the location.  The advertised public forums to be presented were: King’s Park Market Analysis sponsored by the King’s Park Civic Association, Cell Tower information presentation for consideration of a possible code exception and the Smithtown United’s NY Ave. proposal toward the completion of a Comprehensive Master Plan.   

As the room filled up, I gave my seat to one of the presenters of the King’s Park market analysis report presentation.  Many of us were stranded, waited outside the room on the stair landing until my neighbor Gerry Halloway tried to find a seat.  Gerry is 80 yrs. old, recently recovering from an accident and dependent on his cane to stabilize his balance.  Sadly, the security guard told him there were no seats and Gerry would have to stand.  At that point, I insisted that someone inside the room give up their seat for our senior citizen.  When Gerry was seated, I left the room again to wait outside with approximately ten others.  There was no way to hear the discussion taking place in the meeting room.  Then, we were asked to be quiet because those inside the room were distracted by our conversations.

It’s imprudent to invite Smithtown residents and then clearly NOT anticipate that those interested citizens would actually attend these advertised, public forums.  The room has approximately 35 chairs, which are usually empty.  Granted, this is a recent phenomenon; but this undersized room has been fully populated during the last two, most recent, previous Town Council meetings.  The disappointed consensus of those who tried to attend (stairs, landing and down the hallways) was obvious.  I called the next day to express my concern.  Ed Wehrheim returned my call, but I didn’t experience any satisfaction or assurance of creating a better, more appropriate accommodation.  

The presentations are available on-line; but I was there to participate and show my concern.  It’s time to consider the Smithtown community by providing adequate space and hearing from those concerned and respond accordingly.    

_______________________

Amy Fortunato is a Smithtown resident who ran on the Democratic line for Smithtown Town Council in 2017.

Friday
Jan262018

SUFFOLK CLOSEUP - Honesty An Oxymoron Atlantic Oil Drilling

SUFFOLK CLOSEUP

By Karl Grossman

It was offshore oil drilling deja vu for me—having broken the story about the oil industry seeking to drill in the offshore Atlantic, including off Long Island, nearly 50 years ago.

But this time offshore drilling would be completely unnecessary with the U.S. awash in petroleum (thus $2.50-a-gallon gas) and oil drilling in the sea ten times more costly than drilling on land. Plus, renewable energy, led by solar and wind, is now well-developed and cheaper than fossil fuels. And although in 1970, the spill from an oil-drilling platform off Santa Barbara, California in 1969 had just demonstrated the environmental dangers of offshore oil drilling, the 2010 Deepwater Horizon oil rig explosion and oil spill disaster dwarfed that, devastating marine life and the coast along the Gulf of Mexico. Meanwhile, global warming—mainly caused by burning of fossil fuels notably oil—has shown in recent years the dangerUn of continuing to use oil. Another difference: this time partisan politics has become part of the process.

But there I was as the new year began at an inn in Key West, Florida. This was among the areas I traveled to after, in 1970, at the daily Long Island Press, exposing the oil industry’s offshore drilling plans. I picked up The Key West Citizen and I read about the Trump administration giving a blanket go-ahead to offshore oil drilling.

The arguments against it in The Key West Citizen were similar to those made in the Keys, on Long Island, and up and down the Atlantic Coast, nearly 50 years ago—that drilling would threaten marine life and a “robust tourist-based economy which generates $2 billion alone in water-based activities,” as the newspaper noted.” Florida Senator Bill Nelson was quoted as calling the Trump administration plan “an assault on Florida’s economy, our national security, the will of the public and the environment. This proposal defies all common sense.”

Back decades ago, I visited the first offshore drill rig set up in the Atlantic, off Nova Scotia, and the dangers of drilling were obvious. On the rig it was admitted that the booms, promoted in oil industry ads as containing spills, wouldn’t work in even moderate seas. Peat moss was being stockpiled along the Nova Scotia coast to try to sop up spilled oil.  On Long Island, “you’d use straw,” the Shell Canada official said. A rescue boat circled the rig 24 hours a day. I covered days of government hearings in Boston, Trenton and here in Suffolk. 

But then a succession of moratoria on Atlantic offshore drilling voted in overwhelmingly by Congress caused the issue to largely fade away. In recent years, however, the Obama administration moved to somewhat reopen the offshore drilling possibility. Now the Trump administration had thrown the door completely open.

Back on Long Island, I read the strong protests here to the move.  DuWayne Gregory, presiding officer of the Suffolk Legislature, said the Trump offshore oil-drilling plan “would be devastating to our coastal communities on Long Island by damaging marine life and precious natural resources, increasing the chances for a catastrophic spill.” Members of the Suffolk Legislature in a letter to U.S. Secretary of Interior Ryan Zinke, drafted by Legislator Bridget Fleming of Noyac, noted that “the proposed program would promote oil and gas drilling on more than 98 percent of the Outer Continental Shelf, including a region that encompasses the entirety of Suffolk County…This program will cause substantial harm to our county’s tourism revenue…as well as our precious marine resources.”

“Our beautiful coastline is crucial to this state’s economy,” declared Governor Andrew Cuomo. It “generates billions of dollars through tourism, fishing and other industries.” 

Both Mr. Cuomo and the Suffolk legislators cited a sudden deal between Mr. Zinke and Florida Governor Rick Scott exempting Florida from the drilling scheme, and asked for an exemption, too, considering the environmental sensitivities of the coastlines of both states.

It’s been widely reported in Florida and nationally that the deal with Mr. Zinke has to do with the Trump administration wanting to help Republican Scott in a run for the U.S. Senate, challenging Nelson, a Democrat. At least when I got into the issue in 1970, with Richard Nixon as president, politics had nothing to do with his administration’s decisions about where drilling should take place—this would be an “equal opportunity” environmental threat.

I originally got into the offshore oil drilling story with a tip from a fisherman out of Montauk who said he had seen in the ocean east of Montauk the same sort of vessel as the boats he observed searching for petroleum when he was a shrimper in the Gulf of Mexico. I called oil company after company with each saying they were not involved in searching for oil in the Atlantic. Then there was a call from a PR guy at Gulf saying, yes, Gulf was involved in exploring for oil in the Atlantic, in a “consortium” of 32 oil companies doing the searching. These included the companies that all had issued denials. This was a first lesson in oil industry honesty, an oxymoron. 

Karl Grossman is a veteran investigative reporter and columnist, the winner of numerous awards for his work and a member of the L.I. Journalism Hall of Fame. He is a professor of journalism at SUNY/College at Old Westbury and the author of six books. 

Monday
Jan222018

Theater Review - 'I Hate Hamlet!'

Theater Review – ‘I Hate Hamlet!’

Produced by Theatre Three – Port Jefferson

Reviewed by Jeb Ladouceur

“I wouldn’t have missed this unique show for the world”

There are essentially two types of theatergoers in existence … those who adore Shakespeare, and those who despise him: it seems there is no theatrical middle ground to be had. In the farcical comedy (if readers will pardon that redundancy) now being offered thru Feb 3rd at Theatre Three in Port Jefferson … a show unambiguously titled ‘I Hate Hamlet!’ as you see … both types of patrons are miraculously accommodated. On the one hand, half the audience empathizes with, and cheers on, Dylan Andrew Poulos (who plays the conflicted young Hamlet-loathing television star, Andrew Rally) … and on the flip side are those who simply cannot imagine such negative theatrical sacrilege being levelled at one of The Bard’s most noted tragedies.

This laugh-a-minute play was written by Paul Rudnick in 1991 and it opened to predictably mixed reviews in April of that year at Broadway’s Walter Kerr Theatre. The cast consists of three women, and three men, all of whom play off one another with exceedingly clever dialogue, even if the plot itself is somewhat less than ingenious. This is farce, after all, and amusing absurdity is the order of the day.

When TV icon, Rally … he with the knock-down gorgeous girlfriend (who’s determined to avoid pre-marital sex at all cost) … has his TV series cancelled (more bad news), Andrew is offered the opportunity to fulfill every actor’s dream … how would he like to play the part of Shakespeare’s melancholy Dane, Hamlet, in New York’s Central Park? That’s when the play’s title is inexplicably invoked: “Not on your life,” sayeth recalcitrant Rally, “I hate Hamlet!”

At that point, this show’s three women … real estate representative Felicia Dantine (played by Theatre Three veteran Linda May), Andrew’s agent, Lillian Troy (interpreted by the marvelous Marci Bing), and virginal girlfriend, Deirdre McDavey (delightfully delivered by Jessica Contino) … decide to whip up a séance that will summon the ghost of the great John Barrymore (wonderfully played by Steve McCoy). If anyone can change Andrew’s obdurate mind, the trio figures, it would be history’s most celebrated Shakespearian thespian … the handsome artist known throughout the entertainment world as ‘The Great Profile.’

Playwright Paul Rudnick, whose Barrymore ghost smacks of Hamlet’s nocturnal battlement-roaming dead daddy … and whose three conniving women are almost certainly suggested by the Weird Sisters of Macbeth … definitely knows a thing or two about Elizabethan tragedy. Furthermore, as we will soon see, Rudnick has a good handle on the eccentricities traditionally associated with the inimitable Barrymore himself.

The multi-talented Steve Ayle, playing Gary Peter Lefkowitz, Andrew Rally’s deep-pockets friend from La La Land, adds significantly to the non-stop humor of this very funny show. Gary’s connections are prepared to offer Rally a Hollywood deal worth millions … ah, but let’s see how that dovetails with Barrymore’s predilection for Shakespeare … and his persuasiveness in convincing Andrew to give Hamlet a shot.

In sum, Theatre Three’s dependable cast and crew has given us another side-splitter … and notably, director Mary Powers proves that legendary Jeffrey Sanzel isn’t the only major domo capable of taking the helm with authority at Port Jeff’s aptly nicknamed ‘Broadway on Main Street.’ Indeed, nobody could have more successfully constructed a reminiscence scene in Act II, wherein aging talent agent Lillian Troy very nearly resurrects a decades-old romance with Barrymore’s ghost. It’s a remarkably poignant, and at once rib-tickling piece of theatre.

I wouldn’t have missed this unique show for the world … though I might have preferred it ‘miked.’

________________________________________________________________

 

Award-winning writer, Jeb Ladouceur is the author of a dozen novels, and his theater and book reviews appear in several major L.I. publications. His recent hit, THE GHOSTWRITERS, explores the bizarre relationship between the late Harper Lee and Truman Capote. Ladouceur’s newly completed thriller, THE SOUTHWICK INCIDENT, was introduced at the Smithtown Library in May. The book involves a radicalized Yale student and his CIA pursuers. Mr. Ladouceur’s revealing website is www.JebsBooks.com